Photo Gallery

In addition to my motion picture work I also enjoy still photography as a hobby.  Below are some personal favorites I wanted to share.  They are available in different sizes.  Please choose the size that works best (comes closest to filling the full width or height) of your monitor.

 

Native Sunrise

 

Native Sunrise (6/15/2002) - Taken at the Oklahoma Summer Arts Institute in 2002.  The students in the film program were making a short called The Journey, written and directed by student Vail Hayes.  Actor Taylor Bolding is the young man in Native American garb greeting the sunrise in this shot.  We climbed the hills around the institute early, while it was still dark, so we could have the video camera positioned and ready to catch the rising sun across the water.  Of course, I brought along my Nikon Coolpix digital still camera.  In the short he only needed to face the camera but we asked him to turn and face the rising sun for this still, which student DP Chase Carver rolled on and it was used as the opening title shot of the movie.  This result is one of my favorite stills.  Photo lower right is the setup, showing (from Left to Right) Actor Taylor Bolding, director Vail Hayes and DP Chaser Carver.

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Elegant Laurel

 

That's my girl -- A photo of my daughter, Laurel, taken Jan. 19, 2002 in our living room.  She had dressed in a very nice, black dress and asked me to take her picture.  I wasn't happy with the pictures because of the quality of the existing light and I thought, if I set some lights up, this would look REALLY nice.  So I did took a whole series with my Nikon CoolPix digital (3.1 Megapixel).  After touch up in Photoshop this close-up just happens to be the shot I really liked best and hangs on the wall in my office.

 

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Sunrise Denver

 

Taken from my hotel window during the shooting of Phantoms in December of 1996, this photo shows the Colorado State Capitol Building against an exceptionally gorgeous sunrise.

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FX Test

 

Location scouting for "The Prophecy II" we visited an abandoned refinery searching for an industrial complex we could literally make look like hell.  Although this location was never used in the final film I did some shots there at night, all using existing light and with a very long shutter speed of several seconds. I had not brought a tripod that night so I had to rest the camera on various surfaces.  Afterward, I went to some active refineries to get flame and smoke elements.  In the end I put several shots of the original refinery together along with the smoke and flames, dirtied them all up and showed them to the producer in hopes of selling this location. It didn't work, we shot elsewhere, but I still thought this made a nice photo.

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Kevin USA

 

My cousin Kevin took this self portrait of himself sitting in front of an American Flag.  The original was in black and white and he was sitting dead center over the flag.  In Photoshop I moved him to the right for a more balanced composition, created all the flag that was behind him originally and would now be visible, and finally, hand colored the flag.  This was an early effort for me and now doubt I could do it better (and faster) now, but I still find it a compelling image.

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This page is still under construction.  Please check back in the future for more shots.
This Page Last Updated: 13 November 2004

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